The Persistence of Time and Memory (1—And Time Unfolds Like a Flower, 2—Tightly Wound, 3—Toward the Event Horizon, 4—Ripples in the Fabric of Space-Time, 5—Bang, Crunch, Bounce, and 6—The Entropy of Memory) and When Left to His Own Devices., released September, 2023, NEUMA 184.
Ripples in the Fabric of Space-Time, released in November 2023, on the APEM/CIME (Archiving and Preservation of Electroacoustic Music/Confédération Internationale de Musique Electroacoustique) label for the 2023 International Confederation for Electroacoustic Music/Acousmonium conference, Rethymno, Greece.
Toward the Event Horizon, released in November 2022, on the APEM/CIME (Archiving and Preservation of Electroacoustic Music/Confédération Internationale de Musique Electroacoustique) label for the 2022 International Confederation for Electroacoustic Music/Acousmonium conference, Krakow, Poland.
and sometimes wind from the south, released in September 2021, on the APEM/CIME (Archiving and Preservation of Electroacoustic Music/Confédération Internationale de Musique Electroacoustique) label for the 2021 International Confederation for Electroacoustic Music/Acousmonium online conference.
When Left To His Own Devices, released in October, 2019 on the APEM/CIME (Archiving and Preservation of Electroacoustic Music/Confédération Internationale de Musique Electroacoustique) label for the 2019 International Confederation for Electroacoustic Music/Acousmonium Conference in Krakow, Poland.
Bebop in the Forest of Lonely Rhythms, released in December, 2018 on the SEAMUS Interactions Recording Series.
Illusory Lines, released in October, 2016 on the APEM/CIME (Archiving and Preservation of Electroacoustic Music/Confédération Internationale de Musique Electroacoustique) label for the 2016 Visiones Sonoras Festival in Morelia, Mexico.
Turbulent Blue, released in 2015 on the APEM/CIME (Archiving and Preservation of Electroacoustic Music/Confédération Internationale de Musique Electroacoustique) label for the Miso Music Portugal 2015 Festival CD.
Scatter, recording released in October 2001 on the American Composers Forum “Sonic Circuits IX” compact disc (Innova 118).
Turbulent Blue, released in 2011 on the companion CD for Stephen Lias' Contemporary Art Music in Texas: a Guide to Composers, Organizations, and Degree Programs. Nacogdoches, TX: SFA Press, 2011.
objet sonore/objet cinétique, released in 2009 on the CIMESP International Competition Prize Winners compact disc, Studio PANorama, Musica Maximalista Vol. 14, Sao Paulo, Brazil (AA0001000).
Dhoormages, released in 2003 on the American Composers Forum “Sonic Circuits X” compact disc (Innova 119).
Scatter, released in March 2003 on “Cultures électroniques no. 16,” Mnémosyne Musique Média Bourges 2002 Prix Quadrivium CD in France (LDC 278 076/77).
the rain has a slap and a curve, recording released in November 1998 on the Centaur label's Consortium for the Distribution of Computer Music (CDCM) CD Series, Volume 27, "CEMIsonics: The Threshold of Sound," CRC 2407.
A Chris Mann Mambo, released in April 1998 on the The Frog Peak Collaborations Project CD (FP007).
They Wash Their Ambassadors in Citrus and Fennel, recording with Heidi Dietrich Klein performing, released in March 1998 on the Society for Electro-Acoustic Music in the United States "Music from SEAMUS 7" compact disc (EAM 9801).
They Wash Their Ambassadors in Citrus and Fennel, recording with Joan La Barbara performing released in March 1997 on “Cultures électroniques no. 9,” Mnémosyne Musique Média Bourges 1996 Prix Quadrivium CD in France (LDC 278 060/61).
They Wash Their Ambassadors in Citrus and Fennel, recording with Joan La Barbara performing released in November 1995 on the 17th International Luigi Russolo Competition winners CD in Italy.
They Wash Their Ambassadors in Citrus and Fennel, recording with Joan La Barbara performing released in September 1995 on the International Computer Music Association's ICMC 95 "Digital Playgrounds" compact disc.
Waves of Refraction, recording with William Buonocore performing released in August 1994 on the NEUMA "Electro-Acoustic Music III" compact disc (NEUMA 450-87).
Drones Caught in the Net is an online article that includes the experimental film Points of Presence: I. CANTAT-3 Tjørnuvík, Faroe Island by Adam Fish (Lancaster University), Bradley Garrett (University of Sydney) and Oliver Case (Lancaster University) with music by Jon Christopher Nelson. The film includes excerpts of Nelson's Bauxite Dreams, Other Terrains, Just After the Rain, objet sonore/object cinétique, l'Horloge imaginaire, and Resonances. The publication is found here.
"Composing With Csound: Granular Strategies" on the CD-ROM accompanying The Csound Book, Richard Boulanger, ed. Cambridge, Massachusetts: MIT Press, 2000.
GrainMaker 2.0, a Csound soundfile granulation score generator, on the CD-ROM accompanying The Csound Book, Richard Boulanger, ed. Cambridge, Massachusetts: MIT Press, 2000.
Review of Annette Vande Gorne’s “Impalpables.” in Array: Communications of the ICMA, Vol. 19, No. 3, Winter 2000.
"Understanding and Using Csound’s GEN Routines." In The Csound Book, Richard Boulanger, ed. Cambridge, Massachusetts: MIT Press, 2000.
Review of David Tudor's "Three Works For Live Electronics." in Array: Communications of the ICMA, Vol. 17, No. 2, Summer 1997, pp. 16-17.
"Guide to World Wide Web and FTP Sites," Society for Electro-Acoustic Music in the United States Newsletter, Vol. 6, No. 1, Spring 1996.
"The Musician's Internet Primer," Society for Electro-Acoustic Music in the United States Newsletter, Vol. 5, No. 4, winter 1995.
Citations
They Wash Their Ambassadors in Citrus and Fennel score and audio excerpts, to be published in Michael Edward Edgerton’s The 21st Century Voice, Scarecrow Press, 2004.